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Human Fulfillment and Love of the Universe: A Meditation on Emotion in Korean and Chinese Sources
Philippe Thiébault
Vol. 14, No. 2, pp. 57-91, Dec. 2011
10.18399/acta.2011.14.2.004
The Contemporary Confucian Heritage and the Environment of Worldly Confucians and Tohak Confucians
Michael C. Kalton
Vol. 14, No. 2, pp. 41-55, Dec. 2011
10.18399/acta.2011.14.2.003
Somewhere Between Anti-Heroism and Pantomime: Song Kang-ho and the Uncanny Face of the Korean Cinema
Brian Yecies
Vol. 14, No. 1, pp. 33-71, Jun. 2011
10.18399/acta.2011.14.1.003
Kim Hongdo’s Depictions of Commoners’ Manual Labor and Their Possible Inspiration from Illustrations in Song Yingxing’s Tian gong kai wu
Saehyang P. Chung
Vol. 12, No. 1, pp. 147-167, Jun. 2009
10.18399/acta.2009.12.1.006
Song China’s Role in Shaping Late Koryŏ Literature: An Analytical Survey of the Tongmunsŏn
Xin Wei
Vol. 10, No. 1, pp. 37-68, Jun. 2007
10.18399/acta.2007.10.1.002
“The Formation of Namsadang (Korean Itinerant Performer) Troupes”: Chapter One of a Study of Namsadang Troupes
Sim Usŏng    Nathan Hesselink
Vol. 9, No. 2, pp. 31-57, Dec. 2006

Kaesŏng from the Perspective of Chosŏn Dynasty Intellectuals
Sonja Häußler
Vol. 7, No. 2, pp. 35-64, Dec. 2004

Buddhism at the Center: The Temples of Kaesŏng and Their Socio-political Role
Sem Vermeersch
Vol. 7, No. 2, pp. 7-34, Dec. 2004

History with a Capital H: Kaesŏng’s Forgotten Claim to Capital History
Remco E. Breuker
Vol. 7, No. 2, pp. 65-102, Dec. 2004



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