@article{M29C0A48D,
title = "Post-pastoral Perspectives of Korean Environment in Contemporary Art and Literature",
journal = "Academia Koreana",
year = "2019",
issn = "1520-7412",
doi = "10.18399/acta.2019.22.1.002",
author = "Kimberly Chung",
keywords = "post-pastoral, Korean art, Korean literature, ecocriticism, South Korean development, Korean environment",
abstract = "Mixrice, an art collective of artists Yang Ch’ŏlmo [Yang Chul Mo] and Cho Chiŭn [Cho Ji Eun] won the 2016 Korea Artist Prize for their provocative multimedia project that featured a two-channel video installation, titled “The Vine Chronicle.” Centrally documenting the various lives of trees, like a 450-year old Zelkova tree from the village of Kangdong-ri, the video portrays their itinerant lives as they are moved to various sites to fuel capitalist development schemes: camping resorts, apartment complexes and redevelopment sites. Using this exhibit and its unique post-pastoral perspective as a frame, this article explores contemporary perceptions of Korean environment in art and literature. In this study, I am interested in drawing connections among ecocritical artworks and literary works that highlight the dispossession of human and non-human life and the history of rapid South Korean development. These works seek to complicate notions of South Korean development, environmental degradation and migration through a post-pastoral frame."
}