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The Li-Ki Structure of the Four Beginnings and the Seven Emotions and the Intent of the Four-Seven Debate: A Critical Reflection on the Methods of Explaining the Theories of the Four Beginnings and the Seven Emotions in Korean Neo-Confucianism
Kim Hyoungchan
Vol. 18, No. 2, pp. 561-581, Dec. 2015
10.18399/acta.2015.18.2.009
“No Country for the New Woman”: Rethinking Gender and Cultural Nationalism in Colonial Korea Through Kim Myŏngsun
Rhee Jooyeon
Vol. 17, No. 1, pp. 399-427, Jun. 2014
10.18399/acta.2014.17.1.015
Beyond Vengeance: Landscapes of Violence in Jang Chul-Soo’s Bedevilled (Kim Pong-Nam Sarinsakŏn Ŭi Chŏnmal, 2010)
Michelle Cho
Vol. 17, No. 1, pp. 137-162, Jun. 2014
10.18399/acta.2014.17.1.006
Kim So-Wŏl’s Chindallaekkot (Azaleas) as an Immersive Environment
Wayne de Fremery    Kim Jusub
Vol. 17, No. 1, pp. 5-27, Jun. 2014
10.18399/acta.2014.17.1.001
The Structure and Sources of the Biography of Kim Yusin
Richard D. McBride II
Vol. 16, No. 2, pp. 497-535, Dec. 2013
10.18399/acta.2013.16.2.008
Korea vs. K-dramaland: The Culturalization of K-Dramas by International Fans
Marion Schulze
Vol. 16, No. 2, pp. 367-397, Dec. 2013
10.18399/acta.2013.16.2.004
The Conceptual History of ‘Yŏnae’ (Love) in the Korean Colonial Period
Chiyoung Kim
Vol. 16, No. 1, pp. 113-140, Jun. 2013
10.18399/acta.2013.16.1.006
Soon Hyun (Hyŏn Sun) and His Leadership in the Hawaiian Branch of the Korean National Revolutionary Party during World War II
Robert Kim
Vol. 15, No. 1, pp. 163-199, Jun. 2012
10.18399/acta.2012.15.1.008
The Contemporary Confucian Heritage and the Environment of Worldly Confucians and Tohak Confucians
Michael C. Kalton
Vol. 14, No. 2, pp. 41-55, Dec. 2011
10.18399/acta.2011.14.2.003
Somewhere Between Anti-Heroism and Pantomime: Song Kang-ho and the Uncanny Face of the Korean Cinema
Brian Yecies
Vol. 14, No. 1, pp. 33-71, Jun. 2011
10.18399/acta.2011.14.1.003


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