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Search : "[ keyword: cinema ]" (10)
Desiring from a Distance:Cinematic Theatricality and South Korea's Cold War Gaze in Madame Freedom (1957)
Han Namhee
Vol. 20, No. 2, pp. 349-376, Dec. 2017
10.18399/acta.2017.20.2.001
Beyond Vengeance: Landscapes of Violence in Jang Chul-Soo’s Bedevilled (Kim Pong-Nam Sarinsakŏn Ŭi Chŏnmal, 2010)
Michelle Cho
Vol. 17, No. 1, pp. 137-162, Jun. 2014
10.18399/acta.2014.17.1.006
Anticommunist War Films of the 1960s and the Korean Cinema’s Early Genre-bending Traditions
Ae-Gyung Shim
Vol. 14, No. 1, pp. 175-196, Jun. 2011
10.18399/acta.2011.14.1.008
Another Undiscovered Country: Culture, Reception and the Adoption of the Science Fiction Genre in South Korea
Gord Sellar
Vol. 14, No. 1, pp. 153-174, Jun. 2011
10.18399/acta.2011.14.1.007
How Wonderful Days Became Sky Blues: The Transnational Circulation of South Korean Animation
Daniel Martin
Vol. 14, No. 1, pp. 137-152, Jun. 2011
10.18399/acta.2011.14.1.006
Three Periods of Korean Queer Cinema: Invisible, Camouflage, and Blockbuster
Pil Ho Kim  C. Colin Singer
Vol. 14, No. 1, pp. 117-136, Jun. 2011
10.18399/acta.2011.14.1.005
Somewhere Between Anti-Heroism and Pantomime: Song Kang-ho and the Uncanny Face of the Korean Cinema
Brian Yecies
Vol. 14, No. 1, pp. 33-71, Jun. 2011
10.18399/acta.2011.14.1.003
An Insider’s View of a Film Industry in Transition: Darcy Paquet’s Meditations on the Contemporary Korean Cinema
Darcy Paquet
Vol. 14, No. 1, pp. 17-32, Jun. 2011
10.18399/acta.2011.14.1.002
Contemporary Korean Cinema: Challenges and the Transformation of ‘Planet Hallyuwood’
Brian Yecies  Ae-Gyung Shim
Vol. 14, No. 1, pp. 1-15, Jun. 2011
10.18399/acta.2011.14.1.001
The Three Faces of People’s Cinema: A Critical Review of the South Korean Independent Cinema Movement in the 1980s
Park Nohchool
Vol. 12, No. 2, pp. 21-53, Dec. 2009
10.18399/acta.2009.12.2.002


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